Sky Captain and the World of Tomorrow (Original title)Sky Captain (Alternative title)
Dates: 2004 (Copyright), 01 October 2004 (Release)Countries: USA, Italy, United KingdomDirector: Kerry Conran
Synopsis: About a reporter who notices that the world's scientists are disappearing. Set in New York City around 1939.
Genres: Crime, Science Fiction
Title: DVD ReviewsAuthor: RICHARDSON, David Article type: DVD ReviewLanguage: English
In: StarBurst vSpec. n68 Time travel Pages: 90-96,98
Title: Designing the World of TomorrowAuthor: NAZZARO, Joe Article type: ArticleLanguage: English
Description: Part of a whole issue on time travel, this article looks at SKY CAPTAIN AND THE WORLD OF TOMORROW and Kevin Conran's design.
In: Film Review n654 March 2005 Page: 183
Title: Sky Captain and the World of TomorrowAuthor: GK [KEMPSTER, Grant] Article type: CreditsLanguage: English
In: Film Score Monthly v10 n1 Jan/Feb 2005 Pages: 15-17
Title: FSM's Annual Best & Worst Awards: The Hits...and MissesAuthor: BOND, Jeff Article type: ArticleLanguage: English
Description: Lighthearted selection of the best and worst soundtracks of 2005.
In: Film Score Monthly v10 n1 Jan/Feb 2005 Pages: 20-22
Title: FSM's Annual Best & Worst Awards: The Best of the YearAuthor: ADAMS, Doug Article type: ArticleLanguage: English
Description: The writer chooses his favourite film scores of 2005.
In: Empire n189 March 2005 Page: 142
Title: Play: Sky Captain and the World of TomorrowAuthor: LAWRENCE, Will Article type: DVD ReviewLanguage: English
In: Cinefantastique v37 n2 Apr/May 2005 Page: 63
Title: In Review: DVD in BriefAuthor: BOND, Jeff Article type: DVD ReviewLanguage: English
In: StarBurst n317 December 2004 Pages: 96-97
Title: New moviesAuthor: BRETT, Anwar Article type: ReviewLanguage: English
In: Cinefantastique v36 n3 Jun/Jul 2004 Pages: 34-35,38-40
Title: Days of future pastAuthor: BOND, Jeff Article type: Prod. ReportLanguage: English
In: Cinefantastique v36 n3 Jun/Jul 2004 Pages: 36-37
Title: Raider of the lost artAuthor: BOND, Jeff Article type: ArticleLanguage: English
Description: Kevin Conran talks about his designs for SKY CAPTAIN AND THE WORLD OF TOMORROW.
In: Cineforum n440 December 2004 Pages: 76-77
Title: [Cineforum - n440 December 2004: no known title]Author: MALAVASI, Luca Article type: CreditsLanguage: Italian
In: American Cinematographer v85 n10 October 2004 Pages: 32-36,38-43
Title: A Retro FutureAuthor: PROBST, Christopher Article type: ArticleLanguage: English
Description: Director Kerry Conran and dirctor of photography, Eric Adkins discuss their work on SKY CAPTAIN AND THE WORLD OF TOMORROW, especially the challenges of shooting the majority of the film using bluescreen to achieve the films' look.
In: Cinefantastique v36 n5 Oct/Nov 2004 Pages: 14-16,68
Title: Anatomy lesson: robots and warhawksAuthor: BOND, Jeff Article type: ArticleLanguage: English
Description: Darin Hollings talks about the special visual effects used in SKY CAPTAIN AND THE WORLD OF TOMORROW.
In: Cinefantastique v36 n5 Oct/Nov 2004 Pages: 52-53
Title: In review: Film: ProConAuthor: BOND, Jeff Article type: ReviewLanguage: English
In: Sight and Sound v14 n11 November 2004 Pages: 67-68
Title: Sky Captain and the World of TomorrowAuthor: WALTERS, Ben Article type: CreditsLanguage: English
In: StarBurst n317 December 2004 Pages: 76-78
Title: Sky Captain: under the influenceAuthor: BRETT, Anwar Article type: ArticleLanguage: English
Description: Influences on SKY CAPTAIN.
In: Film Review vSpec. n55 Yearbook 2005 Page: 156
Title: Sky Captain and the World of TomorrowAuthor: SPELLING, Ian Article type: CreditsLanguage: English
In: Film Score Monthly v9 n8 September 2004 Pages: 13-15
Title: Blast From the Past: Ed Shearmur and the World of TomorrowAuthor: BOND, Jeff Article type: ArticleLanguage: English
Description: Composer Ed Shearmur discusses his attempts to recreate Golden Age Hollywood soundtracks with his score for SKY CAPTAIN AND THE WORLD OF TOMORROW.
In: Film Score Monthly v9 n8 September 2004 Page: 32
Title: Score: Reviews of CDsAuthor: WONG, Cary Article type: Soundtrack ReviewLanguage: English
In: Premiere v17 n6 March 2004 Pages: 72-79,119
Title: Laying down the lawAuthor: SCHNELLER, Johanna Article type: ArticleLanguage: English
Description: Jude Law comments in his body of work so far. Reference made particularly to COLD MOUNTAIN, and films not yet released including SKY CAPTAIN AND THE WORLD OF TOMORROW, I HEART HUCKABEE'S, ALFIE, The AVIATOR.
In: StarBurst n315 October 2004 Pages: 56-57
Title: The other half of the skyAuthor: BROOKS, James E. Article type: ArticleLanguage: English
Description: Jude Law speaks briefly about his role as producer on SKY CAPTAIN AND THE WORLD OF TOMORROW.
In: Film Review vSpec. n52 Spiderman Pages: 56-57
Title: The 2004 blockbuster previewArticle type: PreviewLanguage: English
In: Empire n186 December 2004 Page: 191
Title: AudioAuthor: DG Article type: Soundtrack ReviewLanguage: English
In: Premiere v18 n1 July/August 2004 Pages: 86-88,127
Title: Into the wild blue yonderAuthor: SALISBURY, Mark Article type: ArticleLanguage: English
Description: a report on first-time director Kerry Conran's method of shooting SKY CAPTAIN AND THE WORLD OF TOMORROW, using blue-screen to mix live-action and animation.
In: Playback 2 Aug 2004 Page: 19
Title: Post quarterly: Canucks help post summer blockbustersAuthor: DILLON, Mark Article type: CreditsLanguage: English
In: Screen International n1469 24 Sep 2004 Page: 20
Title: ReviewsAuthor: HAZELTON, John Article type: CreditsLanguage: English
In: Music from the Movies n43 2004 Pages: 21-23
Title: Captain Ed Shoots for the SkiesAuthor: JOY, Nick Article type: InterviewLanguage: English
Description: Composer, Edward Shearmur talks about his work for the film SKY CAPTAIN AND THE WORLD OF TOMORROW. In particular the challenge of composing music in the tradition of the 'Golden Age' of Hollywood.
In: Music from the Movies n43 2004 Pages: 56-57
Title: Film Music Review: New FilmsAuthor: PLACE, Paul Article type: Soundtrack ReviewLanguage: English
Description: Soundtrack review for SKY CAPTAIN AND THE WORLD OF TOMORROW.
In: StarBurst n308 March 2004 Page: 14
Title: First look: Sky Captain and the World of TomorrowArticle type: PreviewLanguage: English
In: StarBurst n308 March 2004 Page: 98
Title: Trailer parkArticle type: PreviewLanguage: English
Description: Review of trailer.
In: Empire n178 April 2004 Page: 13
Title: Coming soon: tomorrow's movies todayArticle type: PreviewLanguage: English
In: Empire n181 July 2004 Page: 80
Title: The summer preview Jul 04Article type: PreviewLanguage: English
In: Cinefex n98 July 2004 Pages: 15-33
Title: Brave new worldAuthor: FORDHAM, Joe Article type: ArticleLanguage: English
Description: Director Kerry Conran and members of the crew for SKY CAPTAIN AND THE WORLD OF TOMORROW, discuss the making of the movie and the construction of its visual effects. Includes comments by Steven Yamamoto, Darin Hollings, Eric Adkins.
In: StarBurst n309 April 2004 Pages: 18-23
Title: Fight or flightAuthor: WHEATON, Mark Article type: PreviewLanguage: English
In: Screen International n1449 16 Apr 2004 Pages: 10-11
Title: Production: back to the futureAuthor: RODIER, Melanie Article type: InterviewLanguage: English
Description: Producer Aurelio De Laurentiis discusses the financing and production of SKY CAPTAIN AND THE WORLD OF TOMORROW, a retro science-fiction feature shot without props against a blue screen in London.
In: Premiere v17 n8 May 2004 Page: 64
Title: The ultimate summer movie previewAuthor: BORGESON, Kelly [et al...] Article type: PreviewLanguage: English
Author: Hanson, Matt Pages: 176 p.
Dates: 2004 (Copyright), 01 October 2004 (Release)Countries: USA, Italy, United KingdomDirector: Kerry Conran
Synopsis: About a reporter who notices that the world's scientists are disappearing. Set in New York City around 1939.
Genres: Crime, Science Fiction
Credits
(322)
©/Production Company: Brooklyn Films II, Filmauro, Production Company: Riff Raff Productions, Production Company: Blue Flower, Presented by: Paramount Pictures, Presented by: Aurelio De Laurentiis, Jon Avnet, Production Company: Natural NYlon Entertainment, Executive Producer: Aurelio De Laurentiis, Executive Producer: Raffaella De Laurentiis, Executive Producer: Bill Haber, Produced by: Jon Avnet, Producer: Marsha Oglesby, Producer: Sadie Frost, Producer: Jude Law, Co-producer: Hester Hargett-aupetit, Co-producer: Brooke Breton, Associate Producer: Robert Gordon, Production Manager (Live Action Photography): Marcia Gay, Production Supervisor: Matthew Feitshans, Additional Photography Filmed at: Joan Schneider, Production Co-ordinator (Live Action Photography): Magali Gibert, Virtual Set Co-ordinator (Live Action Photography): James Monroe Tharp Jr, Supervising Technical Director: Alec Bartsch, Production Liaison (Live Action Photography UK): Golda Offenheim, Production Accountant (Live Action Photography UK): Jo Pond, Location Manager (Live Action Photography NY): Carey Depalma, Post-production Supervisor: Clark Henderson, 1st Assistant Director (Live Action Photography): Marcia Gay, 2nd Assistant Director (Live Action Photography): Ben Howard, Assistant Director (Live Action Photography): Paul Morris, Script Supervisor (Live Action Photography): Sally Jones, Jason Abril, Casting by: Rick Pagano, Sheila Trezise, Casting (Live Action Photography Additional UK): Abi Cohen, Casting (Live Action Photography Additional US): Craig Campobasso, Casting (ADR Voice {Sounds Great}): Toby Stone, Joan Ryan, Written by: Kerry Conran, Director of Photography: Eric Adkins, Director of Photography (Pyro Elements Unit): Tony Cutrono, 2nd Unit Photography (Live Action Photography): Christopher Probst, Tim Wooster, CG Lighting Director: Michael Sean Foley, Lighting Co-ordinator: Stacy Sandler, Camera Operator (Live Action Photography): Steven Hall, Camera Operator (Live Action Photography): Christopher Probst, Camera Operator (Live Action Photography): Martin Hume, Tim Wooster, HD Technical Supervisor/UK (Live Action Photography): Bill Lovell, Digital Imaging Tech/US (Live Action Photography): Susan Campbell, Focus Puller (Live Action Photography): Alex Howe, Focus Puller (Live Action Photography): Anthony Martin, Focus Puller (Live Action Photography): Barney Piercy, Mark Barrs, Clapper Loader (Live Action Photography): John Barbour, Video Playback/Recordist (Live Action Photography): Tracie Weatherill, Garie Weatherill, Video Technician (Pyro Elements Unit): Anthony Rush, Post-production Video Services by: Laser-Pacific Media Corporation, Still Photographer (Live Action Photography): Keith Hamshere, Special Photographic Process: Stephen Lawes, Senior Visual Effects Supervisor: Scott E. Anderson, Visual Effects Supervisor: Darin Hollings, Digital Effects Supervisor: Steven F. Yamamoto, Visual Effects Producer: Daniel Rucinski, Visual Effects Associate Producer: Walter O. Garcia, Dino A. De Laurentiis, Visual Effects Co-ordinator: Jill Ambrosino, Ian Unterreiner, 3D Modelling Associate Producer: Eli Kamlot, CG Data Entry: Kathy Ramos, Tracking Supervisor: Candida Nunez, Associate Visual Effects Set Supervisor: Candida Nunez, Tracker: John Giffoni, Compositing Supervisor/Digital Effects Supervisor: Stephen Lawes, Lead Compositor: Jay Grunfeld, Compositor: Gianni Aliotti, Compositor: Christina Beckert, Compositor: Daniel Birnbaum, Compositor: Dan Blank, Compositor: Ken Busick, Compositor: Matt Collorafice, Compositor: Joseph Cotten, Compositor: Christine Cram, Compositor: Doug Cram, Compositor: Gordon Fales, Compositor: Christina Garranchan, Compositor: John Huikku, Compositor: Evan Clark James, Compositor: Steve Jaworski, Compositor: Eric McAvoy, Compositor: Takashi Takeoka, Compositor: Karla Ventocilla, Amy Wong, Senior Visual Effects Editor: Tom Barrett, Visual Effects Editor: Kevin Laneave, Assistant Visual Effects Editor: Maureen Meulen, Douglas Slocum, Visual Effects Imaging Supervisor: Michael D. Kanfer, VFX Outsource Supervision (Senior VFX Producer): Joyce Cox, VFX Outsource Supervision (VFX Co-ordinating Producer): Jill-Sheree Bergin, Mitchell Ferm, VFX Outsource Suprvsn (VFX Co-ordinating Producer): Sharon Holly, VFX Outsource Supervision (VFX Co-ordinating Producer): Maricel Pagulayan, Jacqueline Rosado, VFX Outsource Supervision (VFX Producer - Prep): Melissa Cira Taylor, VFX Outsource Sup (Render Wrangler/Lighter): Hezekiah McMurray, VFX Outsource Supervisor (Data Entry/Converter): John Ceballos, VFX Outsource Supervision (Production Co-ordinator/US): Omar McClinton, VFX Outsource Sup (Production Co-ordinator/US): Steve O'Corr, VFX Outsource Sup (Control Brooklyn FII): Carol Chacamaty, Visual Effects Surveyors: Andrew Scoggins, James Whitworth, VFX Producer (Pyro Elements Unit): Steve Dellerson, Additional Visual Effects by: Rising Sun Pictures, Additional Visual Effects by: The Orphanage LLC, Additional Visual Effects by: Industrial Light & Magic, Additional Visual Effects by: Hybride Technologies, Additional Visual Effects by: SW Digital, Additional Visual Effects by: CafeFX, Additional Visual Effects by: Pixel Liberation Front, Additional Visual Effects by: Pacific Title & Art Studio, Additional Visual Effects by: R!OT, Additional Visual Effects by: Ring of Fire Studios, Additional Visual Effects by: Engine Room, Gray Matter FX, Additional Visual Elements by: Luma Pictures, Matte Painter: Martha Mack, Matte Painter: Mannix Bennett, Phil Roberts, Additional Matte Paintings by: Digital Backlot, SPFX Supervisor (Live Action Photography): Trevor Wood, Senior SPFX Technician (Live Action Photography): Peter Fern, Senior SPFX Technician (Live Action Photography): Ron Hone, Rodney Fuller, SPFX Technician (Live Action Photography): Gerard Slaven, SPFX Technician (Live Action Photography): George S. Vrattos, Christopher Brennan, SPFX Co-ordinator (Pyro Elements Unit): Richard O. Helmer, SPFX Technician (Pyro Elements Unit): Jimmy L. Dyson, SPFX Technician (Pyro Elements Unit): Lynn Garrido, SPFX Technician (Pyro Elements Unit): William Pancake Jr, Jeffery Pepiot, Modelling Supervisor: Zack Petroc, Senior Modeller: Simon Yuen, Modeller: Ryan 'Spike' Dauner, Modeller: Minh Duong, Modeller: Emmanuel Fragelus, Modeller: Robin Petersson, Punn Wiantrakoon, Animation Director: Steven F. Yamamoto, Animation Supervisor: Robert Dressel, Animation Sequence Supervisor: David Wainstain, Animator: Rocky Curby, Animator: Jorge Del Valle, Animator: Michael James Guilford, Animator: Josh Lokan, Animator: Steven J. Meyer, Animator: Merrick Rustia, Animator: Sammy Wong, Lead Texture: Larry Wu, Senior Texture: Vicky Yu-Tzu Lin, Texture: Peter Chen, Texture: Byung Gun Jung, Texture: Linda Kurgpõld, Texture: Tracy Lee, Texture: Erick Schiele, Suzanne Smith, FX Animation Supervisor: Chris 'Willie' Williams, Senior FX Animator: Kevin Lee, FX Animator: Brett Boggs, FX Animator: Hong Jiyoung, FX Animator: David Hutchins, FX Animator: Sean Jackson, FX Animator: Brooks Jarrett, FX Animator: Timothy S. Molinder, Michael Navarro, Senior Compositor/FX Animator: Daniel Sunwoo, CG Supervisor: David G. Santiago, Senior Lighter: Bryan Thombs, Lighter: Robert Bourgeault, Lighter: Adam Chrystie, Lighter: Glen Gustafson, Lighter: Justin P.J. Hammond, Lighter: Edward 'Ted' Helmers, Lighter: Lawrence Huang Tzyy Wei, Lighter: Shanna Lim, Osamu Takehiro, Motion Capture Provided by: Motion Analysis Studios, Edited by: Sabrina Plisco, Associate Editor: Timothy Coulter, Production Design by: Kevin Conran, Supervising Art Director (Live Action Photography): Pier Luigi Basile, Art Director: Kirsten Conran, Art Director (Live Action Photography): Dave Warren, Mike Stallion, Art Department Co-ordinator: Carrie Wilksen, Set Designer: Judy Bradbury, Set Designer: Michael Tresaugue, Set Decorator/Buyer (Live Action Photography): Brian Read, Addit Decorator/Buyer (Live Action Photography): Lee Sandales, Conceptual Artist: Mike Meaker, Conceptual Artist: John Watkiss, Storyboard Artist/Illustrator: Leopoldo Duranona, Storyboard Artist: Jesse D'angelo, Storyboard Artist: Anson Jew, Storyboard Artist: Robert S. Myers, Property Master (Live Action Photography): Peter Grant, Gary Dawson, Costume Design by: Kevin Conran, Costumes for Gwyneth Paltrow and Jude Law Designed by: Stella McCartney, Associate Costume Designer (Live Action Photography): Anne Brault, Wardrobe Supervisor (Live Action Photography): Richard Pointing, Key Make-up Artist (Live Action Photography): Rebecca Lafford, Make-up Artist (Live Action Photography): Belinda Jo Hodson, Make-up Artist (Live Action Photography): Mandy Gold, Eloisa De Laurentiis, Make-up for Angelina Jolie (Live Action Photography): Linda Devetta, Special Make-up FX (Live Action Photography): Gary Pollard, Key Hairstylist (Live Action Photography): Kay Georgiou, Hairdresser (Live Action Photography): Tracey Lee, Hairdresser (Live Action Photography): Elizabeth Ann Glasow, Julien Harrington, Hairstylist for Angelina Jolie (Live Action Photography): Colin Jamieson, Titles by: Kaleidoscope Films Group, Kaleidoscope Films (Producer): Pamela Green, Kaleidoscope Films (Creative Director): Jarik van Sluijs, Kaleidoscope Films (Art Director): Julio Ferrario, Kaleidoscope Films (Designer): Chad Danieley, Kaleidoscope Films (Co-ordinator): Daniela Roth, Compositor/Opticals: Mike Spring, Colour Compositing Supervisor: Miae Kim, Colour Compositor: John Dillon, Colour Compositor: Mary Dowd, Colour Compositor: Pamela Kipp, Colour Compositor: Robyn M. Kralik, Colour Compositor: Maggie Kraisamutr, Colour Compositor: Colin Sittig, Annie V. Wong, The Digital Conform Group, Inc.: The Digital Conform Group Inc, Digital Conform Group (Project Manager): Raymond Yeung, Digital Conform Group (Editor/Conform): Craig Muma, Digital Conform Group (Data Programmer): Jason Macdonald, Digital Conform Group (Dig Conform Co-ord'tor): Siobhan Prior, Digital Conform Group (Dir of Systems Engineering): Brian Chacon, Digital Intermediate: Efilm Digital Laboratories, E-Film Digital Labs (Digital Colour Timer): Steve Bowen, E-Film Digital Labs (Digital Intermediate Producer): Michael Kennedy, E-Film Digital Labs (Dig Intermediate Editor): Amy Pawlowski, E-Film Digital Labs (Vice President of Technology): Bill Feightner, E-Film Digital Labs (Colour Imaging Director): Elisabeth Cotter, E-Film Digital Labs (Digital Intermediate Services Co-ordinator): Chris Taft, E-Film Digital Labs (Data Manager): Tom Bristow, Negative Cutter: Mary Nelson-Fraser & Associates, Music by: Edward Shearmur, [Music] Performed by: The London Metropolitan Orchestra, Conducted by: Edward Shearmur, Orchestrated by: Robert Elhai, Additional Orchestrations by: Brad Warnaar, Additional Orchestrations by: Jeff Toyne, Edward Shearmur, Music Produced by (Gohl/McLaughlin): Teese Gohl, Supervising Music Editor: Daryl Kell, Music Editor: Michael Bauer, Additional Music Editing by: Tom Chichester Clark, [Music] Recorded/Mixed by: Steve Mclaughlin, Sound Designer: Todd Toon, Production Sound Mixer (Live Action Photography): David Crozier, Additional Production Sound Mixer/US (Live Action Photography): Veda Campbell, Boom Operator (Live Action Photography): James Harris, Additional Boom Operator/US (Live Action Photography): Jesse 'Woody' Stubblefield, Sound Maintenance (Live Action Photography): John Casali, Re-recording Mixer: Terry Porter, Dean A. Zupancic, Re-recording Mixer (Additional): Gary Summers, Christopher Boyes, Supervising Sound Editor: Todd Toon, Dialogue Editor: John Kwiatkowski, Sound Effects Editor: Donald J. Malouf, Sound Effects Editor: Charles W. Ritter, Sound Effects Editor: Adam Kopald, Sound Effects Editor: Chuck Michael, ADR Supervisor: Devon Curry, ADR Recordist: Jeanette Browning, ADR Mixer: Doc Kane, Foley Artist: Sarah Monat, Foley Artist: Robin Harlan, Foley Mixer: Randy Singer, Foley Editor: Valerie Davidson, Foley Editor: Dan Yale, Dubbing Recordist: Judy Nord, Gabriel Guy, Stunt Co-ordinator (Live Action Phot): Franklin Henson, Stunt Co-ordinator (Live Action Photography): Franklin Henson Sr, Stunts (Live Action Photography): C.C. Smith, Stunts (Live Action Photography): Lucinda 'Bean' Peel, Stunts (Live Action Photography): Nickey Berwick, Stunts (Live Action Photography): Dani Biernat, Stunts (Live Action Photography): Emma Mac, Stunts (Live Action Photography): Dominic Preece, Stunts (Live Action Photography): Sophia Crawford, Stunts (Live Action Photography): Thomas Dewier, Stunts (Live Action Photography): Andy Dylan, Stunts (Live Action Photography): Jeri Habberstad, Stunts (Live Action Photography): Randy Hall, Stunts (Live Action Photography): Gordon Hansen, Stunts (Live Action Photography): Dennis Keiffer, Stunts (Live Action Photography): Peter Pedrero, Stunts (Live Action Photography): Nathan Siebring, Stunts (Live Action Photography): Brian Simpson, Stunts (Live Action Photography): Monica Staggs, Christie Hayes, Double/Stand-in (Live Action Photograpy): Steven Morphew, Double/Stand-in (Live Action Photograpy): Colette Appleby, Amy Gilliam, International Distribution Consultant: John Matthew, Armourer (Live Action Photography): Laurence Harvey, Principal Photography Filmed at: Elstree Studios, Production Co-ordinator (Live Action Photography): Chandler Valley Centre Studios
Cast
(35)
Gwyneth Paltrow (Polly Perkins), Jude Law (Joseph Sullivan, 'Sky Captain'), Giovanni Ribisi (Dex), Michael Gambon (Editor Paley), Bai Ling (mysterious woman), Omid Djalili (Kaji), Angelina Jolie (Franky), Sir Laurence Olivier (Doctor Totenkopf), Trevor Baxter (Doctor Walter Jennings), Julian Curry (Doctor Vargas), Peter Law (Doctor Kessler), Jon Rumney (German scientist), Khan Bonfils (Creepy), Samta Gyatso (Scary), Louis Hilyer (executive officer), Mark Wells (communication engineer), James Cash (uniformed officer), Tenzin Bhagen (Kalacakra priest), Thupten Tsondru (dying old man), Matthew Grant (crewman 1), Steve Morphew (crewman 2), Nancy Crane (receptionist), Stuart Milligan (police sergeant), Paul Canter (police officer), Demetri Goritsas (radio operator), William Hope (American broadcaster), Jonathan Keeble (British broadcaster), Stephan Cornicard (French broadcaster), Stephen Ballantyne (German broadcaster), Victor Sobchak (Russian broadcaster), Mido Himadi (soldier), Gerard Monaco (technician), Chris Robson (Hindenburg porter), Matt Coulter (Hindenburg boy), Merritt Yohnka (construction worker)
Articles held in BFI Reuben Library
(36)
In: StarBurst n321 March 2005 Page: 117Title: DVD ReviewsAuthor: RICHARDSON, David Article type: DVD ReviewLanguage: English
In: StarBurst vSpec. n68 Time travel Pages: 90-96,98
Title: Designing the World of TomorrowAuthor: NAZZARO, Joe Article type: ArticleLanguage: English
Description: Part of a whole issue on time travel, this article looks at SKY CAPTAIN AND THE WORLD OF TOMORROW and Kevin Conran's design.
In: Film Review n654 March 2005 Page: 183
Title: Sky Captain and the World of TomorrowAuthor: GK [KEMPSTER, Grant] Article type: CreditsLanguage: English
In: Film Score Monthly v10 n1 Jan/Feb 2005 Pages: 15-17
Title: FSM's Annual Best & Worst Awards: The Hits...and MissesAuthor: BOND, Jeff Article type: ArticleLanguage: English
Description: Lighthearted selection of the best and worst soundtracks of 2005.
In: Film Score Monthly v10 n1 Jan/Feb 2005 Pages: 20-22
Title: FSM's Annual Best & Worst Awards: The Best of the YearAuthor: ADAMS, Doug Article type: ArticleLanguage: English
Description: The writer chooses his favourite film scores of 2005.
In: Empire n189 March 2005 Page: 142
Title: Play: Sky Captain and the World of TomorrowAuthor: LAWRENCE, Will Article type: DVD ReviewLanguage: English
In: Cinefantastique v37 n2 Apr/May 2005 Page: 63
Title: In Review: DVD in BriefAuthor: BOND, Jeff Article type: DVD ReviewLanguage: English
In: StarBurst n317 December 2004 Pages: 96-97
Title: New moviesAuthor: BRETT, Anwar Article type: ReviewLanguage: English
In: Cinefantastique v36 n3 Jun/Jul 2004 Pages: 34-35,38-40
Title: Days of future pastAuthor: BOND, Jeff Article type: Prod. ReportLanguage: English
In: Cinefantastique v36 n3 Jun/Jul 2004 Pages: 36-37
Title: Raider of the lost artAuthor: BOND, Jeff Article type: ArticleLanguage: English
Description: Kevin Conran talks about his designs for SKY CAPTAIN AND THE WORLD OF TOMORROW.
In: Cineforum n440 December 2004 Pages: 76-77
Title: [Cineforum - n440 December 2004: no known title]Author: MALAVASI, Luca Article type: CreditsLanguage: Italian
In: American Cinematographer v85 n10 October 2004 Pages: 32-36,38-43
Title: A Retro FutureAuthor: PROBST, Christopher Article type: ArticleLanguage: English
Description: Director Kerry Conran and dirctor of photography, Eric Adkins discuss their work on SKY CAPTAIN AND THE WORLD OF TOMORROW, especially the challenges of shooting the majority of the film using bluescreen to achieve the films' look.
In: Cinefantastique v36 n5 Oct/Nov 2004 Pages: 14-16,68
Title: Anatomy lesson: robots and warhawksAuthor: BOND, Jeff Article type: ArticleLanguage: English
Description: Darin Hollings talks about the special visual effects used in SKY CAPTAIN AND THE WORLD OF TOMORROW.
In: Cinefantastique v36 n5 Oct/Nov 2004 Pages: 52-53
Title: In review: Film: ProConAuthor: BOND, Jeff Article type: ReviewLanguage: English
In: Sight and Sound v14 n11 November 2004 Pages: 67-68
Title: Sky Captain and the World of TomorrowAuthor: WALTERS, Ben Article type: CreditsLanguage: English
In: StarBurst n317 December 2004 Pages: 76-78
Title: Sky Captain: under the influenceAuthor: BRETT, Anwar Article type: ArticleLanguage: English
Description: Influences on SKY CAPTAIN.
In: Film Review vSpec. n55 Yearbook 2005 Page: 156
Title: Sky Captain and the World of TomorrowAuthor: SPELLING, Ian Article type: CreditsLanguage: English
In: Film Score Monthly v9 n8 September 2004 Pages: 13-15
Title: Blast From the Past: Ed Shearmur and the World of TomorrowAuthor: BOND, Jeff Article type: ArticleLanguage: English
Description: Composer Ed Shearmur discusses his attempts to recreate Golden Age Hollywood soundtracks with his score for SKY CAPTAIN AND THE WORLD OF TOMORROW.
In: Film Score Monthly v9 n8 September 2004 Page: 32
Title: Score: Reviews of CDsAuthor: WONG, Cary Article type: Soundtrack ReviewLanguage: English
In: Premiere v17 n6 March 2004 Pages: 72-79,119
Title: Laying down the lawAuthor: SCHNELLER, Johanna Article type: ArticleLanguage: English
Description: Jude Law comments in his body of work so far. Reference made particularly to COLD MOUNTAIN, and films not yet released including SKY CAPTAIN AND THE WORLD OF TOMORROW, I HEART HUCKABEE'S, ALFIE, The AVIATOR.
In: StarBurst n315 October 2004 Pages: 56-57
Title: The other half of the skyAuthor: BROOKS, James E. Article type: ArticleLanguage: English
Description: Jude Law speaks briefly about his role as producer on SKY CAPTAIN AND THE WORLD OF TOMORROW.
In: Film Review vSpec. n52 Spiderman Pages: 56-57
Title: The 2004 blockbuster previewArticle type: PreviewLanguage: English
In: Empire n186 December 2004 Page: 191
Title: AudioAuthor: DG Article type: Soundtrack ReviewLanguage: English
In: Premiere v18 n1 July/August 2004 Pages: 86-88,127
Title: Into the wild blue yonderAuthor: SALISBURY, Mark Article type: ArticleLanguage: English
Description: a report on first-time director Kerry Conran's method of shooting SKY CAPTAIN AND THE WORLD OF TOMORROW, using blue-screen to mix live-action and animation.
In: Playback 2 Aug 2004 Page: 19
Title: Post quarterly: Canucks help post summer blockbustersAuthor: DILLON, Mark Article type: CreditsLanguage: English
In: Screen International n1469 24 Sep 2004 Page: 20
Title: ReviewsAuthor: HAZELTON, John Article type: CreditsLanguage: English
In: Music from the Movies n43 2004 Pages: 21-23
Title: Captain Ed Shoots for the SkiesAuthor: JOY, Nick Article type: InterviewLanguage: English
Description: Composer, Edward Shearmur talks about his work for the film SKY CAPTAIN AND THE WORLD OF TOMORROW. In particular the challenge of composing music in the tradition of the 'Golden Age' of Hollywood.
In: Music from the Movies n43 2004 Pages: 56-57
Title: Film Music Review: New FilmsAuthor: PLACE, Paul Article type: Soundtrack ReviewLanguage: English
Description: Soundtrack review for SKY CAPTAIN AND THE WORLD OF TOMORROW.
In: StarBurst n308 March 2004 Page: 14
Title: First look: Sky Captain and the World of TomorrowArticle type: PreviewLanguage: English
In: StarBurst n308 March 2004 Page: 98
Title: Trailer parkArticle type: PreviewLanguage: English
Description: Review of trailer.
In: Empire n178 April 2004 Page: 13
Title: Coming soon: tomorrow's movies todayArticle type: PreviewLanguage: English
In: Empire n181 July 2004 Page: 80
Title: The summer preview Jul 04Article type: PreviewLanguage: English
In: Cinefex n98 July 2004 Pages: 15-33
Title: Brave new worldAuthor: FORDHAM, Joe Article type: ArticleLanguage: English
Description: Director Kerry Conran and members of the crew for SKY CAPTAIN AND THE WORLD OF TOMORROW, discuss the making of the movie and the construction of its visual effects. Includes comments by Steven Yamamoto, Darin Hollings, Eric Adkins.
In: StarBurst n309 April 2004 Pages: 18-23
Title: Fight or flightAuthor: WHEATON, Mark Article type: PreviewLanguage: English
In: Screen International n1449 16 Apr 2004 Pages: 10-11
Title: Production: back to the futureAuthor: RODIER, Melanie Article type: InterviewLanguage: English
Description: Producer Aurelio De Laurentiis discusses the financing and production of SKY CAPTAIN AND THE WORLD OF TOMORROW, a retro science-fiction feature shot without props against a blue screen in London.
In: Premiere v17 n8 May 2004 Page: 64
Title: The ultimate summer movie previewAuthor: BORGESON, Kelly [et al...] Article type: PreviewLanguage: English
Books held in BFI Reuben Library
(1)
Title: Building sci-fi moviescapes: the science behind the fictionAuthor: Hanson, Matt Pages: 176 p.